Guardians of Mobile Bay

Sheet music, Sounds from Mobile Bay

First page of music, Sounds from Mobile Bay, 1860

During the Civil War, Mobile Bay was protected by not one but two fortifications:

  • to the west — Fort Gaines, on Dauphin Island
  • to the east — Fort Morgan, down the beach from Gulf Shores

From these strategic points, Confederate soldiers could prevent enemy ships from coming into the bay by firing upon them. At the very least, they could keep an eye on traffic coming into the harbor.

Though the forts are no longer being used, they are still standing. I’ve been to Fort Gaines before, and on a recent trip to the gulf coast, I visited Fort Morgan, its slightly more impressive brother. Below, I’ll share some images from that trip (and others from the present day) as well as photographs and documents from our archive that give you a sense of each fort and why it was important to the cause.

Map of Mobile Bay

 

Fort Gaines

Aerial view of Fort Gaines, 2002, by Edibobb

Aerial view of Fort Gaines, 2002, by Edibobb

Fort Gaines was built in the wake of the war of 1812 and went through Confederate hands before returning to possession by the U.S. military. (Learn more about its history here, where you can find a video and an interactive map.)

Fort Gaines is now a museum, although the fortifications are not as well preserved as Fort Morgan’s. The island, however, is a thriving little beach community. Here are a couple of images from the island in 1940:

Here’s a view from the island in the present day:

View from Dauphin Island, looking east toward Fort Morgan, 2010, by Jeffrey Reed

View from Dauphin Island, looking east toward Fort Morgan, 2010, by Jeffrey Reed

Fort Morgan

Aerial view of Fort Morgan, 2002, by Edibobb

Aerial view of Fort Morgan, 2002, by Edibobb

Like its brother across the bay, Fort Morgan was constructed after the war of 1812, taken over by the Confederate Army in at the outset of the Civil War, and retaken by the Yankees near the end. After the war, it was used for various purposes by the U.S. Army and Navy. (You can read more about its history here).

Fort Morgan guards the east side of Mobile Bay. Here are some images from our collections showing this area in the early 20th century.

Today, Fort Morgan is a state park. You can visit the museum to learn more about how the fort operated, as well as explore the ruins and take in the nature around them, including a beach on the bay and a fishing pier.

 

 

War

In 1861, early in the Civil War, Mobile author Augusta Evans Wilson wrote to her friend, Rachel, about the Confederate possession of the fort and what it meant to her family and community:

You have doubtless heard from the papers of our taking our Forts & Arsenal. By far the most important of these is Fort Morgan, situated 30 (thirty) miles below Mobile, and commanding the entrance to our harbor. The fortifications are very strong, and with the addition of a few Columbiads which are daily expected, will be almost impregnable. … It is an anxious, terrible time – ! My Father and both my Brothers belong to the garrison of Fort Morgan and you can readily imagine, how restless their constant exposure to attack renders me.

Augusta and her friends helped out the fort in a very real way:

Immediately after its occupation by Alabama troops, the commander informed us that a number of Sand Bags, for the ramparts were needed; and also flannel charges for the cannon. We, ladies went to work at once, and have finished over 9000 Bags. this has kept me so busily engaged, that I have had no time for anything else; not even to write to you my dear friend.

Cannon at Fort Morgan, 2015

Cannon at Fort Morgan, 2015

At some point in the fort’s life, soldiers used this small oven to heat cannon balls, which when fired into passing ships would set them ablaze!

Oven for heating cannon balls, Fort Morgan, 2015

Oven for heating cannon balls, Fort Morgan, 2015

Early on in the war, things were probably going smoothly for the troops stationed on Mobile bay. Isaac Shelby, a commissary officer for the Military Department of the Gulf, wrote this about the state of supplies at both forts in the first half of 1862:

Excerpt from letter by Confederate commissary officer, 1862

Despite a promising start, the forts, as part of the Confederate holdings, fared just as poorly as the rest of the Confederacy as the war went on. Both were retaken in the Battle of Mobile Bay, in August 1864. Our sister blog, Cool@Hoole, has an excellent series of posts on this battle, featuring items one can only find in the physical collections at Hoole Library.

Among digitized items about the battle, we have this letter of August 14, 1864. Valentine Bruner, a Union soldier from Maryland, tells his parents of the recent surrender of Gaines and impending surrender of Morgan:

First we have been dismounted and are acting as infantry we started from New orleans for Mobile the 1st of Aug. our land forces entirely surrounding the Forts and on the fifth Fort Powell was evacuated and on the 7th Fort Gaines surrendered with 700 hundred prisoners. oh you cannot imagine how proud you feel to see 700 men march out in front of you and stack their arms to you. … the same plan we tried at Forts Powell and gaines we are now trying on Fort Morgan the [?] are now as I write belching out their 15teen inch shell all over them It mus fall but I cannot say how long it will take…

In 1865, some months after both forts had fallen, Mobile finally surrendered. George S. Smith, part of a Union regiment from Ohio, marked the occasion (and the end of the war) in his diary:

George S. Smith Civil War diary, page 13

Entries for April 11-16, 1865

Thankfully, Mobile survived its 19th century hardships, including the tumult of war, a terrible explosion (May 1865), Reconstruction (through 1874), and economic depression. Now, it’s the third largest city in the state, and its bay still invites ships and beachgoers alike.

Campus Pinups?

Rammer JammerUA’s campus magazine from the 1920s to the 1950s, often featured cover art that was surprisingly risqué for the time. Or was it?

I think we tend to see 1920s-1940s through the lens of the 1950s, with its heavily censored films (see “The Hays Code” at TV Tropes) and horribly wholesome television shows like Leave It to Beaver and Father Knows Best. We forget how much the early days of movies and television could be a bit like the wild west.

For example, a lot of people could tell you that, during the 1951-1957 run of I Love Lucy, Ricky and Lucy couldn’t sleep in the same bed or use the word “pregnant.” The fact that she was actually shown to be “expecting” was pretty daring. But I bet you didn’t know that the first show to depict a pregnancy, not to mention a couple that shared a bed, was before that — on Mary Kay and Johnny, in the late 1940s, a show now lost to history.

The 1940s are a confusing period to talk about. Sure, Hollywood movies weren’t allowed to show too much skin or bad guys getting away with their crimes, but it was also the period of bombshells like Mae West, Jean Harlow, and Veronica Lake. Perhaps it had to do with the uncertainty of WWII (1939-1945) or the end of the Great Depression. Or perhaps there was nothing odd about it at all; it just looks that way in hindsight, after the 1950s. Of course, it’s also possible we’re stereotyping the 1950s, too.

What’s certain: Rammer Jammer cover art usually echoes the trends of the era, especially in the depiction of the female form.

1920s

Before WWI, there was the Gibson Girl, created by Charles Dana Gibson.

Gibson Girls

She was a species of the New Woman, and she was a bit controversial (see “The Gibson Girls: The Kardashians of the Early 1900s” at mental_floss), but pop culture hadn’t seen anything yet.

The 1920s flapper was a new breed. Jazz Age illustrators like Russell Patterson and John Held Jr. immortalized these more daring women of the Roaring Twenties, often in an Art Deco kind of style. Their kin can be found on the 1920s covers of Rammer Jammer, beginning at its inception in 1925. Click on any image below to see a larger version.

1930s

If you’ve ever seen calendars that feature stylized illustrations of scantily clad pinups girls, like those of Alberto Vargas or Gil Elvgren, you maybe won’t be too shocked by the Rammer Jammer covers of the 1930s. Early in the decade, they seem to ride the line between being provocative and being realistic, depicting students in anything from modest long skirts to clinging gowns and underclothes. Later, they point to the movement toward head shots.

1940s

The 1940s see a transition to using photographs of real women rather than illustrations. Though the Vargas Girls and Elvgren Girls still held some sway, the Rammer Jammer staff still seems a bit torn between the modest co-ed (1940-1046) and the more provocative “Sweater Girl” (1947-1949).

1950s

Rammer Jammer ended its run in 1956. Before it did, it put out lots of pinup-style photos. On the October 1951 cover (below), the photograph is actually being tacked up onto the wall by an illustrated male student. There were girls as sweet as Betty Grable or as saucy as Bettie Page, whether in photos or drawings. Certainly changes my opinion of the supposedly bland, conservative 1950s!

African-American Soldier Portraits

Right now, in the Pearce Foyer of Gorgas Library (2nd floor, Quad side), you’ll find a pretty cool exhibit:

Highlighting the collections of Rev. Wylheme Ragland of Decatur, Alabama,  A North Alabama Clergyman’s Passion for History: Preserving Black History through Words and Images features cookbooks, scrapbooks, diaries, funeral worship bulletins, letters, and photographs from the Schaudies, Banks, and Ragland families. Their generous gift illustrates the everyday lives of African Americans living and working in the post-Civil War South through a wide variety of materials that will provide unique research opportunities for students and faculty. (source)

Recently, we were able to digitize some amazing portraits from this collection — most of them featuring African-American soldiers from the WWI and WWII eras —  frames and all. They were a bit of a challenge, but it was well worth it!

Challenges

If you go see the pictures on exhibit at Gorgas, you’ll find that many of them have curved glass. Our usual capture process involves lights that shine down on an item, but for these portraits, that would’ve meant a lot of light reflection.

To compensate, Jeremiah, camera guru, reconfigured the capture station to allow us to hang the portraits on the wall and shoot them straight on, so that the lighting could hit them in a different way.

See, no reflection in the glass! (Click on this image or any in this post to see it up close in Acumen.)

portrait

 

Of course, there’s just one problem: the frame is also reflective. We decided shine-free portraits were more important than shine-free frames, but we tried to minimize all reflection as much as possible.

portrait

However, some of the bulkier frames gave us the added challenge of casting shadows across the portrait surface, as you’ve already seen. Jeremiah was able to counteract this through tweaking the lighting setup, but sometimes it was impossible to completely get rid of the shadows.

portrait

Rewards

Challenges aside, there were so many advantages to shooting these portraits — curved glass, difficult frames, and all. First of all, many of the frames added real character to the portraits they held:

portrait

portrait

The collection also provides an interesting window into photographic techniques of the day. Some of them don’t even look like photos — by design. According to Jeremiah, artists would often take a black and white photo and color it in by hand, so that it looked more like a painting.

portrait

portrait

Last but not least, these photos are a reminder that many African Americans served their country in the two World Wars, as evidenced by images like these:

portrait

portrait

To see more, visit the Schaudies-Banks-Ragland collection page online. There, you’ll find more images like this, as well as images of white servicemen and other African Americans.

And don’t forget to check out the exhibit at Gorgas Library!

Come transcribe our items!

Recently, we talked about adding your own metadata to photos through our new Acumen tagging pane. Today, the focus is on something a bit more involved but maybe even more important: transcribing handwritten documents.

Why transcribe?

  • Did you know that many young people nowadays aren’t even taught to read and write in cursive? Handwritten archival materials are more and more in danger of being unintelligible to the average person, but often they represent the most unique materials out there: personal diaries, letters, and notes from the famous, the infamous, and the unknown, detailing everything from a typical day to a major event.
  • Did you know that handwritten items in a digital repository are usually not keyword searchable? Computers need data in a form they can understand. Optical character recognition (OCR) technology can attempt to read typewritten material and translate it to a computer-readable text file, but this technology doesn’t work on handwritten materials.

The solution to both these problems is simple: we need a human to read and transcribe handwritten documents, both for others to read and for the computer to use in searching. Acumen makes this easy by providing a place for transcription when viewing any image or listening to any audio file.

How does transcription work?

Acumen's transcription pane

  1. Click the transcription icon (looks like a sheet of paper), found to the right of the main viewer window
  2. Type a transcription of the displayed image into the entry box
  3. Click on the blue ‘Add Transcript’ button

You really want me to transcribe things?

John Poor letter, circa 1863Yes, you! We know transcribing documents can be a bit intimidating. Here’s some things to consider:

  • You don’t have to be an expert
    • Don’t know what a particular word is? Transcribe it letter by letter anyway; it might be a word or abbreviation we no longer use
    • Can’t make sense of a particular word at all? Use a question mark inside brackets to represent it [?]
  • You don’t always have to start from scratch
    • Some handwritten items have already been transcribed and just need someone to check the transcript over and help with harder to read words
    • Some typed items have computer-generated transcripts that you can correct; these will include a little orange box that says ‘OCR’
  • You don’t have to do an entire item at once
    • Transcription is done on the page level, so you can do as little as a page at a time
    • In fact, if you can only do part of a page, that’s better than having no transcription at all; others can add to your work later

Does it really add anything?

Absolutely! Consider the image above, a letter from a Confederate soldier to his niece. Right now, the metadata carries a pretty good general description: John H. Poor writes his little niece, Fanny, about sleeping and eating arrangements in the army. He drew a few sketches to illustrate.

A lot of the interest is in those sketches. However, there’s also text, so having a transcript gives the drawings a context:

John H. Poor letter transcription

How about a more weighty example. This diary written by a Confederate soldier at the siege of Port Hudson is 157 pages, but without a transcript, we only have a general description of the whole: This diary discusses Civil War battles fought in 1862 and 1863, especially the Siege of Port Hudson, a Confederate fortification on the Mississippi River in southern Louisiana.

Below is a transcription of page 9:

James A. Goble diary transcription, page 9

With a transcription, we can learn so much here about what it was actually like at this siege: James Goble is tired of the war and prays for peace; they were using mounted weapons to attack Union boats; they made African Americans do their hard labor; they used “cars,” probably railroad cars, for shipping things; they could still get sugar and molasses; and Port Hudson was a bit of a ghost town by this point in the war. And all this from just one page!

Next time you’re looking at a handwritten document in Acumen, consider providing a transcription, especially if you’re already trying to make sense of that item for your own research. The integrated transcription pane allows you to share your work with others using the resources, and to make those resources more findable during a search.

Looking for a fun place to start? Check out Ashley Bond’s post on a series of love letters, just in time for Valentines Day, at the Special Collections blog Cool at Hoole.

Electronic Theses and Dissertations (ETDs) 2013-2014

Did you know the Acumen is the home for all dissertations and theses produced at the University of Alabama since 2009?

Here’s a survey of some of the interesting questions UA students asked with their research in 2013 and 2014, representing 18 different degree programs!

Media

Education

  • Are there similarities in the teaching styles of African Americans at church and in a regular classroom setting? (Dissertation, Curriculum and Instruction)
  • What kind of authority does the NCAA have over student athletes? (Dissertation, Educational Leadership, Policy, and Technology Studies)
  • Are teachers getting enough training in LGBT issues? (Disseration, Education)

Arts

  • What role has the heroic tenor voice part played in popular opera theater? (Dissertation, Music)
  • How has Shakespeare been appropriated by modern romance novels? (Dissertation, English)
  • In what ways did landscape painter John Everett Millais influence the Pre-Raphaelite movement? (Thesis, Art History)

Culture

  • Does positive attention from fathers influence risky teen behavior? (Thesis, Human Development and Family Studies)
  • How has racial stratification arisen in the U.S. Latino community? (Dissertation, Political Science)
  • Can reading familiar texts help students learn a foreign language more easily? (Dissertation, in Spanish, Modern Languages)

Science and Medicine

  • How is tourist activity affecting the mangrove forests of Belize’s Ambergris Caye? (Thesis, Geography)
  • Is chromium really the essential element? (Dissertation, Chemistry)
  • Does gender make any difference in child health in Tanzania? (Thesis, Anthropology)

Engineering and Technology

  • How do you make liquid rockets work better? (Thesis, Aerospace Engineering and Mechanics)
  • What will future power grids look like? (Dissertation, Electrical and Computer Engineering)
  • How can a construction company better estimate the cost of materials? (Thesis, Civil, Construction, and Environmental Engineering)

Want to find more student projects like this? Go to Acumen and, before you type in your search query, use the dropdown menu on the search bar to select Research.

Come tag our photos!

We’re proud to announce that Acumen now has integrated tagging functionality. But what the heck does that mean?

Let’s say you’re looking at an item in Acumen and you think: How in the world would someone interested in X find this item if the information with it doesn’t mention X

Rather than lament the incompleteness of the item description, you can instead input your own descriptive words and phrases in the tagging pane. They will be added to the record for that item — which means you can now search on those words or phrases and get that item as a result. You’ll be helping fellow researchers identify things more easily!

Tagging is generally an addition to existing data. Sometimes the person originally describing the item didn’t know exactly what or who they were looking at, or they just don’t know what you know. Where there just isn’t very much data or maybe any, tagging descriptions are even more important.

Let’s look at some examples:

What’s happening here? The information with the photo just says, View of workers constructing a building at a Woodward Iron Company site.

construction photo

If you know something about construction, you might be able to give a more specific description.

Who are these folks? Right now, all we know is that former UA President Joab Thomas is on the left.

dance photo

If you were at UA during the early 1980s — especially if you were at the Sesquicentennial Ball — you might be able to identify the others.

If you’re looking for images of the Statue of Liberty, you wouldn’t find this item because we don’t create descriptions for sheet music cover art. But you would if someone tagged it “statue of liberty.”

sheet music cover, Liberty

Ditto this illustration of the Eiffel Tower:

sheet music cover, You'll Find Old Dixieland in France

How does tagging work?

  1. Click the tag icon, found to the right of the main viewer window
  2. Type your descriptive tags into the entry box, separating tags with commas
    • Example: spring fling, streamers, dance floor
  3. Click on the blue ‘Add Tags’ button

When you’re done, the screen will look like this, with your newly added tag at the top of the pane, in blue:

example of use of tagging pane in Acumen

That tag in blue is clickable, leading you to a results page with any other items that might’ve been tagged the same way.

Tags show up in the results page in the right-hand column, as in this example.

acumen-tagging-results

If you want to search on a particular user tag, you can also simply type tag:[keyword] into the search box.

So next time you look at an item in Acumen and think, There’s something missing, add it as a user tag!

Fins and Flippers, magazine from a local WWII pilot training program

On this day in 1941 — four days after the attack on Pearl Harbor, Hawaii — the U.S. officially went to war with Germany and Italy. It had already declared war on Japan.

On this day in 1941, a group of pilots from the U.K. was learning to fly in Tuscaloosa, Alabama, when the news came that their American colleagues would be full partners in the war effort. Andrew J. Kinney, 1st Lieutenant of the Air Corps (R. A. F.), their commanding officer, wrote these words:

America is stirring to action. You have heard, and will continue to hear, responsible statesmen of America and Britain say that victory is inevitable. They point to our vast resources, our riches, our incomparable productive abilities. But remember that they assume that every man will do not merely his duty, but his very utmost. … Victory won’t eagerly rush up and take us by the hand. We must work and fight harder than we have ever before. Nor is tomorrow the time to fight. The time to fight is now — in your training.

This message was included in the January 1942 volume of the training company magazine Fins and Flippers. Five issues are online in Acumen: Sept., Oct., and Dec. 1941, and Jan. and Feb. 1942. They contain a mix of art, humor, poetry, personal narrative, and informative writing, and include photos of the cadets and their commanders.

Fins and Flippers Feb. 1942 cover

Today, we share some sample images from this collection. They show that these students, before and after the U.S.’s declaration of war, were still students — eager to learn and maybe just as eager to make fun of the learning process.

For more items related to World War II, go to Acumen and type this in the search bar: “world war, 1939-1945″

 

 

Hidden Gem: Pictorial History of Fort Marion

Lately, we’ve been combing through Google Analytics data for our collections, and one thing it’s done is alert us to some popular items we didn’t know about, in part because they were not in particularly well-used collections.

The Durst Family Papers is a small collection of interesting but awfully random items, including an early 18th century British legal document, a handwritten knitting pattern, and a U.S. Service Flag from WWI. There are also several items pertaining to the 19th century South, like a hand-written version of the song “Dixie,” a booklet entitled “The South Did Not Fight to Hold Slaves,” and a Confederate five dollar bill.

Something that’s both Southern and pretty random is one of our more popular items: a 1925 Pictorial History of Fort Marion, a “souvenir or St. Augustine[Florida] under three flags.”

Cover, Pictorial History of Fort Marion, 1925

 

The booklet, written under the direction of the local historical society, contains a written history of St. Augustine and the fort, which at various times was under Spanish, British, and American control (pages 3-5). In 1924, just before this booklet was printed, it was designated a National Monument. Later, it was transferred to the National Park Service, and it is now known by its original Spanish name, Castillo de San Marcos.

The booklet also describes the fort as it stood in 1925, including the powder magazine, the “famous secret dungeon,” something called a “hot shot oven,” and even a moat (pages 5-7, 16-18).

What’s really interesting about the booklet is a section of full-color pictures, eight pages with two images on each page, to accompany the descriptions. Here are a few examples to pique your interest — click on the thumbnail to view a larger version.

You’ll find the complete booklet in Acumen.

Goodbye, Corolla, Goodbye: 1980s-1990s

In the last of our series of posts saying farewell to the UA campus yearbook, the Corolla, we look at two books you can’t find online. (Various pages were photographed just for this post.) Both of them — and all the rest — are available in the Hoole Library reading room. Unlike most Hoole resources, they are part of the reference collection, which means they are on the shelves, ready to be used without you having to request them!

The funny thing about these two volumes is how little time I spent choosing which ones to pull. I gravitated toward volumes with covers I found interesting, and what was inside turned out to be a good indication of the decade that produced them. In many ways, any yearbook would’ve been just fine: each has pictures and articles that really speak to its time. That’s why the loss of the yearbook is such a loss for the campus.

1984

The Corolla for this year featured an embossed image of Clark Hall on the cover:

Corolla1984_06

That year, the building turned 100. But the pages of the book were definitely more 1984 than 1884. For example, the late 19th century military college wouldn’t know what to do with a girl dressed as Boy George:

Corolla1984_03

There was a spread on the popular movies of the day, including the conclusion of the original Star Wars trilogy, Return of the Jedi, and the second movie of Harrison Ford’s other big trilogy, Indiana Jones and the Temple of Doom. Click on the image below to see the spread up close.

Corolla1984_02

And look what was mainstream enough to make it into the pages of the yearbook:

Corolla1984_01

The Football team was regrouping from the Bear Bryant era, with the short tenure of coach Ray Perkins:

Corolla1984_05

Apparently, the Corolla Beauties section had morphed into Corolla Favorites. The fashion, too, had morphed…and I’m not sure if it was for the better :/

Corolla1984_04

 

1995

The cover of this mid-nineties volume featured fingerprint whorls, announcing the theme of the book: Identity.

Corolla1995_01

Topical pieces included a look at former Vice President Dan Quayle, who received mixed reviews from students when he came to campus to speak that year:

Corolla1995_02

A very different campus visitor also brought controversy, less because of anything she did than because of what the campus group that invited her didn’t do: promote the show very well.

Corolla1995_03

Following National Championships in 1988 and 1991, the Tide gymnastics team was hitting their stride.

Corolla1995_04

Though they didn’t win the championship in 1995, they did the next year.

While the late 20th century yearbooks covered more popular culture than ever before, they still had plenty to share about the campus greek system:

Corolla1995_05

But other topics were pretty new, like those new staples of the home and office, computers:

Corolla1995_06

Who knew that the Supe Store had been an Apple distributor for 20 years!

Thanks for taking this stroll down memory lane with us. For over 100 years, the Corolla has been a mainstay of the University, reflecting and at times even questioning the world of the campus and beyond. It will be sorely missed, if not by the current student body, at least by future researchers.

Goodbye, Corolla, Goodbye: 1950s-1960s

Continuing our look at Corollas of the past, these two volumes from the 1950s and 1960s are both in Acumen, and they document a rapidly changing student body and new student attitudes.

1959

With the Space Race now underway, the 1959 yearbook editors used imagery of rockets and space to anchor their introduction to the book, as well as to adorn the cover.

1959 Corolla

1959 Corolla

But closer to home, the students were still students — and the Corolla could be a little bit bolder about covering their activities:

1959 Corolla

Lest you think UA was all about football or the Greek system, there were also a lot of artistic endeavors being pursued:

1959 Corolla

But probably the most important event of the year, even if they didn’t yet know just how important, was Bear Bryant’s first year as coach:

1959 Corolla

1968

This volume from the late 1960s found UA in the thick of a cultural revolution, reflected in the topics discussed at the Emphasis symposium…and in the protesters outside:

1968 Corolla

Depending on when the book went into print, Martin Luther King Jr. was either a force to be reckoned with or a recent martyr. Here he is as part of a collage printed in the book:

1968 Corolla

Fields like engineering were really coming to the forefront:

1968 Corolla

Unsurprisingly, sports (and color photos!) were a major part of the book:

1968 Corolla

Our concept of beauty and fashion had changed a bit, seen here in a Corolla Beauty that the 1938 girls would’ve considered scantily clad:

1968 Corolla

Finally, the student body was also undergoing a change. While African-American students were still few and far between, even five years after the Stand in the Schoolhouse Door, they were very much present, like the young man seen here (row two), a pre-med student:

1968 Corolla

In the next post, we’ll wrap up our look at the Corolla over the years with glimpses of the 1980s and 1990s.